Research

Thesis: 

Compositional Techniques, Borrowed Materials and Electronic Metamorphoses. Symphony 4 ‘New York’ by Roberto Gerhard.  City University, London. February 2011. Supervisor: Rhian Samuel. Viva: Robert Saxton (University of Oxford), Miguel Mera (City University) and Alexander Lingas (City University)

Last Conferences

  • La recepción de la música en los documentales producidos durante la Guerra Civil. Universidad de Alcalá (Madrid), 7-10-2014. Abstract
  • The influence of critics in Gerhard ́s music. Universidad de Alcalá (Madrid), 7-6-2013. Abstract
  • Presentation of research project: The electronic music of Roberto Gerhard. Universidad Autónoma de Madrid, (Group paper from Gerhard´s research group at University of Huddersfield), 12-3-2013. Abstract
  • The electronic music of Roberto Gerhard. ICMC12, Ljubijana (Group paper from Gerhard´s research group at University of Huddersfield), 10-9-2012. Paper
  • Metamorphosis of a composer. Electronic influence in acoustic Gerhard ́s music. Conservatorio del Liceu, Barcelona, 26-4-2012.
  • Music for image by Roberto Gerhard. Universidad de Salamanca, 23-9-2011. Abstract
  • The Haunted House and The Traveller’s Nightmare, by Chomon. Music for Film. University of Leeds, 8-9-2011. Abstract
  • Flamenco Jazz versus Jazz Flamenco: The Phrygian Metamorphoses. University of Amsterdam, Holanda. 2-9-2011. Abstract
  • Chaos, utopia and creation. Analysis of the dynamic of the System in music. University of Arts of Belgrade, Serbia. 14-5-2011. Abstract
  • The Influence of Flamenco in Jazz. Leeds College of Music, 7-4-2011. Abstract
  • Gerhard’s electronic music: a pioneer in constant evolution. University of Huddersfield, UK. 28-5-2010.
  • Chaos, creation and order in the 4th Symphony of Roberto Gerhard. Universidad de La Coruña, España. 26-4-2010. Abstract.
  • Beyond the Second Viennese School: The Musical Materials of Roberto Gerhard. Aristotle University of Thessaloniki, Grecia. 11-2-2009. Abstract
  • Constructing an Identity in Exile: Roberto Gerhard. University of York, UK. 12-7-2008. Abstract

Seminars-Master Class-Masters

  • Seminar: La recuperación de la música electroacústica de Roberto Gerhard: trabajo del grupo de la Universidad de Huddersfield en la University Library de Cambridge, en el “Encuentro sobre música electroacústica, bibliotecas y archivos” organizado por la Fundación Juan March (Madrid) april, 2016.
  • Seminar of Composition for Image. Centro Superior Katarina Gurska, July, 2015.
  • Comunicación y expresión sonora (Communication and sound expression). Instituto de RTVE, Madrid. October – November 2014.
  • Seminar of Composition for Image. Centro Superior Katarina Gurska, July, 2014.
  • Derecho de autor VS usuario final: Revisión casuística y puntos de encuentro, Facultad de CC de la Información, Universidad Complutense, III Edición Jornadas Aula Creador. 24-2-2014.
  • Comunicación y expresión sonora (Communication and sound expression). Instituto de RTVE, Madrid. 6 sessions during november – december 2013.
  • Master of Composition for Media (Film and TV). Director, tutor y thesis supervisor. Centro Superior Katarina Gurska. Madrid, Octubre de 2013.
  • Master of instrumental Interpretation. Teaching research techniques. Tutor and thesis supervisor. Centro Superior Katarina Gurska. Madrid, Octubre de 2013.
  • Seminar of Composition. Music Department  University of Macedonia. Thessaloniki, Greece. 14th -15th March, 2013.
  • Master Class Composition for Media. Conservatoire of Getafe, Madrid. 20th of February, 2013.

Last Articles

Critical editions — Programme notes

Coming soon:

  • Chamber works by Robert Gerhard and works for piano solo by Felipe Pedrell.

Books

  • Música para Cine, Televisión y Radio (Music for Film, Television and radio). Editorial del IRTVE (Instituto de Radio Televisión Española). Date of publication: October, 2015.